Steely Dan has not had a new studio album in twenty years--"Two Against Nature" was worth the wait! This concert, recorded live in New York at the Sony Studios, contains new songs as well as classic hits from the minds of Donald Fagen and Walter Becker. Together, they deliver a unique music experience that is truly unforgettable. Songs: Green Earrings, Cousin Dupree, Bad Sneakers, Janie Runaway, Josie, FM, Gaslighting Abbie, Black Friday, Babylon Sisters, Kid Charlemagne, Jack of Speed, Peg, What a Shame About Me, Pretzel Logic.
Earle Sebastian
Director
Walter Becker
Self - Lead Guitar
Donald Fagen
Self - Lead Vocals
Ted Baker
Self - Piano
Tom Barney
Self - Bass
Ricky Lawson
Self - Drums
Jon Herington
Self - Guitar
Cornelius Bumpus
Self - Saxophone (1)
Chris Potter
Self - Saxophone (2)
Carolyn Leonhart
Self - Backing Vocals (1)
Cynthia Calhoun
Self - Backing Vocals (2)
Victoria Cave
Self - Backing Vocals (3)
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.