“Bound”: A Thrilling, Sultry, and Timeless Love Story
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.

In defiance of the background noise of homophobia, a series of dreamlike images evoke the interplay between private and public spaces, and the continual disintegration and reconfiguration of queer identity within (and on the periphery of) dominant culture. The soundtrack combines a litany of voices from a radio talk-show which fade in and out of background electronic noise, processed underwater sound effects, and a poetic text. The images represent a movement from the interior space of dreams through intimate private domestic scenes, out into the public urban spaces of subway stations and street intersections, and finally to the city skyline as seen from across the surface of a body of water.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).