After a night out of partying and left behind by her friends, Ava wakes up and sneaks back home only to find that she's already safe in bed. But that's not Ava - it's someone who looks just like her. A time-traveling fugitive has stolen Ava's body, her identity, and her life. What's more -- she's not alone. There are others, hiding in the past, secretly living among us, plotting to alter the future. Without her body, Ava is a virtual ghost, silent and invisible to the world. And, so far as she knows, she's the only one who can stop them and put the timeline back on course.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Kung Fu Chit was a beautifully made, empowering short film that really spoke to me. Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
