Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.
Endgame not only did not drop the ball, but it delivered for fans so much that it went on to become the highest-grossing movie of all time!
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
