Venturing deep into the labyrinth of the faun: Why Pan's Labyrinth remains among all-time great fantasy movies 20 years later
Guillermo del Toro's masterwork "Pan's Labyrinth" stands test of time as it celebrates 20th anniversary in theaters.

STARDOM live in Tokyo, Japan on March 27th, 2025 with New Blood 20. Matches featuring • Rina vs. Anne Kanaya • Sayaka Kurara & Yuria Hime vs. Akira Kurogane & Tomoka Inaba • Kaori Yoneyama & Rian vs. STARS (Hanan & Saya Iida) • Kakeru Sekiguchi & Tae Honma vs. God's Eye (Hina & Ranna Yagami) • Honoka, Kohaku & Saran vs. HATE (Azusa Inaba, Ruaka & Saya Kamitani) • Tam Nakano vs. Misa Kagura • New Blood Tag Team Title Match: Empress Nexus Venus (HANAKO & Waka Tsukiyama) (c) vs. Cosmic Angels (Aya Sakura & Yuna Mizumori)
Guillermo del Toro's masterwork "Pan's Labyrinth" stands test of time as it celebrates 20th anniversary in theaters.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
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