Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.

"Star Vehicle" follows the downward spiral of movie driver Donald Cardini, a self-professed movie buff with a penchant for explosive violence when provoked. Driving the stars of low-budget movies, along with their fragile egos, to and from locations in the middle of nowhere, pushes Don's buttons in all of the wrong directions. When Luke, the young and self-absorbed writer/director challenges Don's authority, murder and mayhem ensues.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.