What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

A poor Chilean Joaquin Murrieta decides to move to California in gold searches. On his way he meets a beautiful girl who becomes his wife. But their happiness is short. Life of the gold diggers is cruel... After his wife dies Joaquin takes up arms to revenge.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.