Stan Behavior (2024)

This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.

'Hollywood Stargirl' (2022) is a teen romantic drama film that centers around the title character's experiences in Los Angeles. This film serves as the sequel to the 2020 film 'Stargirl', but unlike the previous film, the events in this movie are shown from the title character's perspective instead of Leo Borlock's.

Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.

Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.

'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.