'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Opposite as black and white, the successful lawyers and business partners, tardy Stamatis and hasty Grigoris, fall for their supposedly single new secretary, unaware that she's already married. What happens when the charade is over?
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.