Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Sırrını Biliyorum
Nora, who finds her own solutions to save her mother Roza, who is facing death due to a tumor in her brain, by having her bitten by a vampire and becoming immortal herself, is completely unaware of what she has gotten herself into. Kenan, who is trying to escape his dark past and build a new life for himself, has only one dream: to take his mother, who is in a nursing home, and move far away. Caught between the little girl who believes herself to be a vampire and the past that refuses to let go, Kenan must make a decision.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Nora, who finds her own solutions to save her mother Roza, who is facing death due to a tumor in her brain, by having her bitten by a vampire and becoming immortal herself, is completely unaware of what she has gotten herself into. Kenan, who is trying to escape his dark past and build a new life for himself, has only one dream: to take his mother, who is in a nursing home, and move far away. Caught between the little girl who believes herself to be a vampire and the past that refuses to let go, Kenan must make a decision.
Rating:
Genre:Drama
Written By:Ebru Erdemoğlu, Battal Karslıoğlu
In Theaters:
Box Office:
Runtime:
Studio:Trio Pictures (TR)
Articles You May Like
A Cowgirl's Song Brings Love and Joy to All
A young girl named Hailey Mays sings a country song that is named after the film's title.
Why It Makes Sense That There Are Black Actors In “The Rings of Power”
Like many things, like animals and people, they always evolve. When the first humans walked the Earth, they originated from Africa and were all black.
Is Disney Finally Learning?
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.
"A Man Returned" - The Other Side of the Refugee Crisis
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.