The New ‘Old’ Hollywood that is ‘Babylon’
‘Babylon’ is an exhilarating journey one has to brace themselves for

Mardjoeki goes missing after his wealth is taken by his brother, Djoekri. His son, Mochtar, is left behind and is treated like a slave by Djoekri. Later, The Black Jackal, a man in a mask, thwarts Djeokri's cruelty. In a chase scene between Djoekri and The Black Jackal, it turns out that Mardjoeki is still alive, and he is the man behind the mask all this time.
‘Babylon’ is an exhilarating journey one has to brace themselves for
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
A working class mom searches for her daughter.