‘The Last Airbender’: Still a Catastrophe 13 Years Later
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!

Four people at a crossroads in their lives who meet by chance in Amsterdam. The city becomes their magical dream world, seemingly offering opportunities and answers to a key moment in their lives.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
‘A Good Person’ makes it clear that forgiveness is hard.
Sweetheart provides a stark example of self-isolation taken to its extreme.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.