Revisiting Lady Bird - Now on Netflix
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.

Jung Yoo-mi and her students come to Yoo-gok Elementary School in a rural town as a part of an exchange program. They are spooked by a campus ghost story told by Kim Gye-dong, a teacher at the school. But the students' curiosities get the better of them and they decide to search every nook and cranny for the ghost. Unfortunately, it is Yoo-mi who runs into the ghost when she goes to the bathroom at midnight. The campus ghost story now becomes real to everyone at the school. The fearless threesome, Tae-suk, Chul-soo and Hoon, decide to go to the annex building where the ghost is believed to reside in. But Man-duk warns them vehemently against going there. When Tae-suk receives a message that the school is cursed, he and his friends sneak into the annex building to uncover the mystery once and for all. His friends are chased by the ghosts and now Tae-suk must find his missing friends.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
In Deaf, the Spanish director Eva Libertad explores pregnancy and motherhood from the perspective of a deaf woman. Her movie examines how the world imposes the notion of disability on her main character while she actually does not feel disabled herself.