Splendor in the Grass (1981)

Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational. 

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

The relationship between the characters is what makes this film stand out, and it’s just all-around fun.

After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.