Let's Rock 'That Girl Lay Lay'
This Nickelodeon live-action TV series features strong Black representation.
Splendor (1999)
Veronica is a white-bread beauty searching for a good man in Los Angeles. While slam dancing at a Halloween rave, she meets Abel, a sensitive poet. Then she meets Zed, a supersexy tattooed drummer with incredible biceps. Who will she choose? Does she go for true love or cheap sex? She can't decide so she chooses both. But after managing to nurture a picture-perfect threesome, along comes Ernest, a rich movie director with deep baby blues that sweep Veronica off her feet. What's a girl to do now?
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Veronica is a white-bread beauty searching for a good man in Los Angeles. While slam dancing at a Halloween rave, she meets Abel, a sensitive poet. Then she meets Zed, a supersexy tattooed drummer with incredible biceps. Who will she choose? Does she go for true love or cheap sex? She can't decide so she chooses both. But after managing to nurture a picture-perfect threesome, along comes Ernest, a rich movie director with deep baby blues that sweep Veronica off her feet. What's a girl to do now?
Rating:
Genre:Comedy, Romance
Written By:Gregg Araki
In Theaters:9/17/1999
Box Office:$45,703
Runtime:93 minutes
Studio:Summit Entertainment, Desperate Pictures, Newmarket Capital Group, Dragon Pictures
Articles You May Like
“Dead Poets Society”: Why Neil’s Father Stood "Before The Law"
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
A Good Burger Comes with Fries and a Shake
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
'Being the Ricardos': A Match Made in TV Heaven
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
“Relic” Presents the Fear of Aging
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
"In the Heights" Review
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.