Part of a multi-platform project highlighted by an hour long documentary about black filmmakers who worked and studied at UCLA between 1965 and the 1990s.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Steven Spielberg's West Side Story (2021) improves on the original's terrible representation, poorly written romance, and more. --> check out reviews & film summary
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
