A story of humour, energy and friendship, Spindrift chronicles a day in the life of two Soho drifters who work as rent boys. Combining documentary style material with expressionistic sequences, the film builds up a series of snapshots which encapsulate the boys' desire for freedom and love.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
Did you know that Disney heroes and villains have kids? Check out the Descendants series.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
