“The Invite” Will Make You Stress Eat
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.

Yo Ota goes on working on « the space of the unreal movement » on the film medium and on showing time development in non narrative cinema. This film has nothing to do with the English meaning of «Speed trap», that is speed control by police radars. To obtain objects in movement, he set his 16mm camera on the verge of a road. During film shoot, some drivers thought his camera was a speed trap and briskly slow down in front of the camera.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
A South Korean romantic drama film that brings a strong first love story.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.