Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Michael Palmieri and Donal Mosher bring their curated audio works to the stage with help from a host of celebrated filmmakers and writers. Though created during during lockdown, with artists contributing from a distance, this program returns us to the communal thrills and comforts of storytelling, music, and performance.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
This holiday movie serves as the prequel to the TV series The Really Loud House.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.