Geneva awakens in terror as she discovers her boyfriend, Halbert, standing in the corner of her bedroom. The following morning she learns that he was murdered at the same time of his nightmarish appearance. After receiving a threatening note from Halbert’s killer, Geneva is sent to a safe house. A story of murder and fear. A story of self discovery. A story of a girl in the midst of forces she does not understand. A story of the lengths a man will go to find true love. This is the world of Specter's Rock.
Josh Eisenstadt
Director
Bonnie Aarons
Verna Frenz
Cynthia Abeln
Alexa
Michael J. Anderson
The Interrogator
Lacey Beers
Singer in Safehouse
Michael Clemons
Harris Frenz
Josh Eisenstadt
Minks
Robin Garrels
The Sister
Dorrie Grace
Wendy Molanko
Jonathan Harrison
The Lurker
Brad Havens
Leon Giton
Quentin Kaplan
Detective Goodbar
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
A world of expansion awaits.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.