“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

When a zombie plague infects a camp for the mentally handicapped, a ragtag band of campers and counselors struggles to survive the night. The unlikely heroes fight their way off the mountain as, one by one, they're picked off and join the ranks of the walking dead. It's a campy stampede of blood, boobs and gore as some "very special" people show that they can kick some serious undead ass.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
This sports drama movie is centered around an Asian American boy named Chang.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.