What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

Forty years after the events of the first Spaceballs, the galaxy is once again under threat. A threat so evil, so unstoppable, so completely lacking in any original ideas, that it has vowed to bring back the past... every last bit of it. With Lone Starr in hiding, Queen Vespa on the throne, and the Schwartz stretched thinner than a franchise releasing TV episodes theatrically, the only hope for the galaxy is Vespa's undisciplined son, Prince Starburst, and a mysterious Palace advisor named Destiny. Together, they must find Lone Starr, Yogurt, and any other iconic legacy characters fans are demanding before they discover the hard way that, while some threats you can fight, the reboot is not one of them.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"