B-Dawg, Mudbud, Budderball, and all the rest of the Buddies are back, but this time, they're setting their sights even higher -- as in, the moon! With the help of their new pals Spudnick and Gravity, these pooches are go for launch. But to pull off their moon landing and make it home safely, our canine heroes will have to summon all their bravery and imagination...
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
