Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

A plane lands one day at Nairobi Airport in Kenya, and among the passengers is a young Danish girl, Eva Axelson, who immediately takes a carriage to the famous Hotel Norfolk. Her arrival causes no stir, but an advertisement she placed in the East African Standard three or four days earlier does—an advertisement in which she asks for information about her father, Carl Gustav Axelson, who was last seen in Kenya, and asks him or anyone who knows him to contact her at the Norfolk Hotel.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
A film about family and sacrifice... and carnivorous locusts coming after you.