'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.

Patrick, a young Frenchman in his thirties, has been working for a year in a small village in Burkina Faso. He has a relationship for a few months with a 25-year-old village girl, Kaya, who becomes pregnant. When their daughter Martine is born, Patrick flees with her to Europe. The shock of this loss makes Kaya mute. Seven years later, Patrick returns to the village to maintain the boreholes he had built. He arrives with his daughter Martine. The villagers welcome him with reservation. Patrick learns that Kaya has gone silent. Unfortunately, not being able to stay too long in the village, Patrick entrusts Martine to Kaya for a few hours. Discovering her daughter's poor upbringing, Kaya decides to run away into the night with Martine...
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
During the third act, the momentum stalls, largely due to the film’s obsession with Kubrick’s visual design. But all in all, Doctor Sleep is a cinematic success, defined by rich characters and high powered emotion.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.