Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

Four adolescent girls each spend their youth in the same farmhouse over the last century. Though separated by decades, resonances between their lives emerge: their desires and distress, secrets and truths, encounters with another’s gaze and defiant gaze in return.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Never Have I Ever season 3 is charming and hilarious as it has been in past seasons and still sports a diverse ensemble cast. However, the show doesn’t always treat its marginalized characters that well.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
This reboot of The Wonder Years is told from the lens of a Black man.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.