Sirāt: No Lesson to Learn
The one-way journey went to the desert that refused to offer an answer or a transcendence.

Che (Tseng Yi-che) returns to Nanfang’ao fishing port after taking the rap for younger bro Ren’s (Cheng Yu-jen) stabbing of the son of local mobster Shun (Hsu Ling-tsang). Ren is also back from hiding in Japan with their father, Chang (Michio Hayashida), who is due to return to settle a score with Shun.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
There is no aspect of this film that falls short, except perhaps in minor ways.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.