Distilled in 1996 from an earlier 50-minute trilogy, this 26-minute film was shot in Greece and Austria and structured around two recurring intertitles, “He said” and “he said.” Each introduces delicate studies of light and place—hotel interiors, cafés, hillsides, storefronts, and street life—framed in parallel variations. The title invokes Apollo as savior and healer.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
