Lajos Mezei is an insignificant, average, middle-aged man. He works at the post office sorting letters using a machine. His life is but a series monotonous everyday events, but he has a passion that makes him different from his fellow humans. This passion replaces all human relationships and events in his life - he flees into a world of his own, hermetically sealed, which only he can understand and where he therefore feels safe. One day, however, his well-balanced life is turned upside down.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
Hours before their line-up of screenings for Trans Awareness Week began, the filmmakers of 'When Men Were Men' chatted with me about the film's personal exploration of masculinity.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
