
Sophie is far from being the model little girl one would like her to be, unlike her friends Camille and Madeleine. She always insists on having her own way, often getting into trouble, to the despair of one and all. But her mother is unbending and otherwise inclined. She will not let her get away with anything, and poor Sophie will often have to live with the consequences of her bad behaviour and learn her lesson.
The second film takes us on Peter's journey to be understood.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
This holiday movie serves as the prequel to the TV series The Really Loud House.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.