"Snatching trophies? I am a trophy." Trixie Mattel: Moving Parts
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.

Two hours after breaking up with his girlfriend, Cedrik meets Karine in a nightclub. Man drinks, wants woman. Woman drinks, accepts man. After a night of passion, Cedrik is horrified to discover himself mysteriously switched inside Karine's body, while Karine inhabits his. Is it their chance to finally discover the secrets of the sexes? Is this body switch temporary?
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Religion, race and generations collide in this romantic comedy starring Jonah Hill
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.