Gizem tries to maintain the routine she's built over the years while raising her daughter Bade alone. As Bade's questions about her father, whom she's never met, intensify, she makes an unusual deal with Onur, a theater artist. Onur will temporarily assume the role of Bade's father. What begins as a simple game unexpectedly changes the lives of all three. Secrets from the past, established dynamics, and developing emotions force Gizem to confront the most difficult decisions of her life.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
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Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
