Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Son of Oil poster

Son of Oil (1982)

Son of Oil is a cautionary tale about the decline of Western civilization, as only Oursler could envision it. Oil is the central metaphor around which he constructs a burlesque critique of the cults of money and power that fuel economic and sexual systems, social pathology and cultural mythologies. Allusions to terrorists, the Son of Sam killer, the oil crisis and John Hinckley locate the dense narrative text in the media-saturated vertigo of early-1980s America. The grand dimensions of this subversive drama, in which Oursler employs actors in addition to his usual puppet-like props and objects, are played out in a deliberately claustrophobic, fantastically rendered theatrical space.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Son of Oil is a cautionary tale about the decline of Western civilization, as only Oursler could envision it. Oil is the central metaphor around which he constructs a burlesque critique of the cults of money and power that fuel economic and sexual systems, social pathology and cultural mythologies. Allusions to terrorists, the Son of Sam killer, the oil crisis and John Hinckley locate the dense narrative text in the media-saturated vertigo of early-1980s America. The grand dimensions of this subversive drama, in which Oursler employs actors in addition to his usual puppet-like props and objects, are played out in a deliberately claustrophobic, fantastically rendered theatrical space.

Rating:
Genre:
Directed By:Tony Oursler
Written By:
In Theaters:1/1/1982
Box Office:

Runtime:16 minutes
Studio:

Articles You May Like


"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik

It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses