'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

The daughter of an aristocratic British family introduces her new boyfriend to her parents... and he's a fish man.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.