Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Faced with the sudden disappearance of her beloved Shadow, Judith calls upon her estranged daughter Lily to return home and help her with the search. But when Judith gets a devastating call from a local farmer, Lily is forced to face up to her mother’s grief and come to terms with her own.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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