The Black and White Metaphor in 'Passing'
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.

A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
Korean culture shines in this Canadian export.
Crazy World gives fans of Wakaliwood movies what they want by playing up the comedy and action just like their movies before.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.