An adaptation of Liu Zhenyun’s award-winning novel One Sentence Worth Ten Thousand, produced by Bill Kong. The novel, which won the Mao Dun Literature Prize after it was published in 2008, revolves around a divorced woman and her married younger brother and deals with loneliness and alienation in contemporary Chinese society. The film marks the feature debut of award-winning short filmmaker Liu Yulin, who is adapting her father’s work. A New York University film graduate, Liu’s short film Door God (2014) won a silver medal at the 41st Student Academy Awards and was selected by Cannes.
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Falling in love with 'Rocketman" all over again.
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
