Looking Behind the 'Z-O-M-B-I-E-S' Trilogy
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.
Someday's Summer: A Campus of Love at Dusk
His only daughter, Setsuko died in an accident, and his gran-daughter Natsu left home to live with her couple, leaving only Hitoshi in Kimoto's house. His wife has also already left this world. The title of the TV release was "College Girl and Beautiful Mature Woman Can't Say Anything". (Sequel of "Someday's Summer: Free-spirited Female College Students").
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
His only daughter, Setsuko died in an accident, and his gran-daughter Natsu left home to live with her couple, leaving only Hitoshi in Kimoto's house. His wife has also already left this world. The title of the TV release was "College Girl and Beautiful Mature Woman Can't Say Anything". (Sequel of "Someday's Summer: Free-spirited Female College Students").
Rating:
Genre:Drama, Romance
Written By:Kosuke Komatsu, Hiroko Fukazawa
In Theaters:
Box Office:
Runtime:88 minutes
Studio:Okura Pictures, Blue Forest Film
Cast
Tetsuya Takehora
Director
Maria Wakatsuki
Natsu Kimoto
Maina Yuuri
Noa Fujino
Shiraki Yuko
Minako Fujisawa
Takashi Naha
Wataru Kimura
Takuma Kudô
Isao Nishidera
Kōta Fukazawa
Minako's husband
Atsushi Tsuda
Masaya Okada
Toshihiro Yoshida
Kazuma Soeno
Hideki Tachibana
College student distributing flyers
Manzo Shinra
Hitoshi Kimoto
Mari Yamaguchi
Isao's mother
Articles You May Like
How Coming To America Managed To Stay Relevant 30 Years After Its Release
Sorry, Baby (2025) for Being Born a Woman
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
What Sinners Gets Right About Family, Fear, and the Fight to Stay Human
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Wait, Did 'The Green Knight' Need To Be That White?
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.