'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Some Say No is a new Italian comedy with a very serious subject: the way the country's society is corroded by favoritism that pushes inferior people to the top in virtually every field. In Florence, three thirty-somethings band together to wage their own war on the system. Each of them is a person of talent who has been pushed out by "favorites" or raccomandati, people who have muscled in on the promotions they ought to have gotten by pulling strings.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Masterful satire that shines a light on the struggles of Black creatives.
“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
'Ms. Davis’ Close Friend' will make you think about the meaning of death and what it means to be alive, and if there’s really a race to be run with one's inevitable demise.