Light Language in Casablanca
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.

In Mãe Luiza, on the outskirts of the city of Natal, the sounds of everyday life are mixed with the beats of funk, leading us to immerse ourselves in a universe of dreams, recognition and prejudice experienced by local youth.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
“There’s always something you can do…to make people feel like they’re welcome”
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.