The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Depicts life in the Solovki prison camp as a vacation at a holiday resort, pointing at the authorities’ efforts to humanise the re-education of criminals via an aesthetics of normalcy.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
An in-depth discussion about anti-Black discrimination in college and professional football.