'Riverdance: The Animated Adventure'
The animated musical adventure beings fantasy and magic to viewers as they follow Keegan and Moya.
Solipsism
Set in cosmopolitan London, Aikya, a British-Indian blogger believes she is the only person that exists in the world. Continuing her daily life convinced that every interaction with another is purely a construct in her own world, her beliefs and existence are shattered after she witnesses the ultimately suicide of a neighbour. Thrust into a world unknown, Aikya must process unfounded human emotions, grapple with her solipsism and engage with the idea that she may not be alone after all.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Set in cosmopolitan London, Aikya, a British-Indian blogger believes she is the only person that exists in the world. Continuing her daily life convinced that every interaction with another is purely a construct in her own world, her beliefs and existence are shattered after she witnesses the ultimately suicide of a neighbour. Thrust into a world unknown, Aikya must process unfounded human emotions, grapple with her solipsism and engage with the idea that she may not be alone after all.
Rating:
Genre:Horror, Thriller, Drama
Written By:
In Theaters:
Box Office:
Runtime:15 minutes
Studio:
Cast
Articles You May Like
"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
‘WandaVision’ in Color: Spoiler-Free Recap of Episode 3
Episode 3, entitled “Now in Color,” brings us to the 1970s — a decade full of vibrancy, color, and total mayhem.
"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
“Uncle Frank”: Acceptance and Queer Representation
Growing up with a lot of siblings, young Beth felt ignored her immediate family. Uncle Frank made her feel seen, heard, and accepted.