“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

Set in cosmopolitan London, Aikya, a British-Indian blogger believes she is the only person that exists in the world. Continuing her daily life convinced that every interaction with another is purely a construct in her own world, her beliefs and existence are shattered after she witnesses the ultimately suicide of a neighbour. Thrust into a world unknown, Aikya must process unfounded human emotions, grapple with her solipsism and engage with the idea that she may not be alone after all.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
WandaVision is already proving to be a huge success.
Horse racing is a very difficult sport and challenge, especially for a young woman like Michelle Payne.
In this remake of the 1993 film of the same name, The Wedding Banquet follows the life of two queer couples as they struggle with life-changing decisions.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.