'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

This is a story about exciting events that occurred in the life of the smallest soldier - the hero of the Great Patriotic War, six-year-old Sergei Aleshkov. He lost all his relatives and got into the army. With a six-year-old boy, they started playing the soldier game in order to preserve his childhood, and he, in order to comply with this honorary title, became a real defender of the Motherland.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.