
A cinematographic and multimedia collage project by Mawena Yehouessi, whose ambition is to generate new contexts of co-creation as synonyms of alternative modes of coexistence. From script writing to filming, post-production and distribution, the film is an invitation to over fifty artists, researchers, students, and amateurs to retrace altogether-in a poetic and speculative way-the Myth of "Lascar." The term Lascar is said to come from Persian, meaning "army." It was notably used during the 19th century to designate South East Asian native soldiers enrolled by the European colonial forces at sea. In the 1990s in France, Lascar has become a contemptuous qualifier, referring to 2nd and 3rd generation French BIPOC kids from the suburbs-from their daily struggles to their knowledge-making.
Dracula evolved from a person to a monster and then from a monster to a person.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
"Idina Menzel: Which Way to the Stage?" shows viewers how the star became who she is today.