“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

When Annie sets her sights on her co-worker Ron she gets a few drinks in him at an office party and then has her way with him in car. A few weeks later she's expecting and is ready to set up housekeeping. Only problem? Ron's boyfriend Nick doesn't like the idea.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.