"Tow" Tells the True Story of a Woman Who Sued the System
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.

Daniel’s decision to travel to East Berlin in the middle of the Cold War to meet his birth mother turns out to be the biggest mistake of his life because, unbeknownst to him, he will become the essential piece of the KGB’s secret plan to set up their operations center in Francoist Spain, where his identical twin brother Klaus will play a key role, stealing his identity, his family and his entire life.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Spoiler Warning
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.