The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

On an imaginary island, Gloria Zamora, a working mother, unleashes her true nature as money and power enter her life, bringing an entire town under her control. Her daughter, Trinidad, narrates the story, judging her mother’s malice through her inner monologue. Meanwhile, in Spain, actress Rocío Aldama, embodying Sara Montiel, chases her dream of success, as two worlds intertwine in a web of coincidences and misfortunes.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
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