Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

1960's Siegheilkirchen, a small town in the Austrian hinterland is steeped in reactionary and ultra-Catholic attitudes. The son of a hard-working innkeeper and his wife, called Snotty Boy by all and sundry, is at odds with the narrow-minded confines of his home town. But his unstoppable talent for drawing gives him an outlet for his discontent.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
There's no hiding the horrors of war in this inspiring story of survival