Lieutenant Colonel Brusefjær, a highly regarded "administrative officer" from his time in London, is a man with a keen eye for everything that goes on around him, especially suspicious individuals. But now he wants to relax, and together with his grandson Lille-Bertram and his caretaker Ole Gliset, he mans the houseboat Caroline 11 and travels to Hankø. The police have just received alarming reports of widespread smuggling – probably based in the outer Oslo Fjord – and a trusted investigator, Reidar Nissen, is sent on vacation to Hankø.
Bjarne Andersen
Director
Ernst Diesen
Bertram Brusefjær, oberstløytnant
Lauritz Falk
Arne Dahlin, direktør
Carsten Byhring
Reidar Nissen, politifullmektig
Anne-Lise Tangstad
Eva
Unni Bernhoft
Anne
Dan Fosse
Ola Gliset, oppasser
Pål Skjønberg
Freddie
Grethe Kausland
Lille Grethe
Andreas Diesen
Lille-Bertram
Øyvind Øyen
Dan Hyatt
Stig Vanberg
Carl Stutz
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
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For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.