This biopic takes an in-depth look into the life of Minnesota All-American football player Bruce Smith. The story is framed by a screenwriter's interview with the famed halfback. In order to garner information, the scenarist is assigned to live with Smith. During the film, Smith shares his thoughts on football and anecdotes from his life.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
